MT/Acting Gender Gaps

I was just looking at Chicago auditions and found this theater, which may be of interest to young actresses and their mothers. http://www.twentypercentchicago.com/

I should be very clear that my frustration is not my D’s. She is happily out there living her life. :wink: I am just seeing all of this from the perspective of an older feminist feeling discouraged at how little the theatre world has changed over the years.

@momcares - I totally get it. For me, it’s not the number of female roles, but things like the fact that barely 20% of of congressional representatives (20 in senate and 84 in house) are women, or only 26 are CEOs of Fortune 500 companies. The arts are only one part of the problem…

Interesting, @jkellynh17 - but this is even sadder than the 30% number I’d heard…

@toowonderful - Absolutely, but theatre is where both my D and I chose to begin our young working lives so it’s an industry of special interest and importance to me.

I think the arts are getting better faster than other areas of human endeavor. I can name 10 famous actresses of film and theater, but I’d have a hard time coming up with 10 finance execs or 10 tech entrepreneurs. I’m also seeing a lot of calls (in Chicago) for actors of color. (I have a white male son, so I do notice these things.)

I bet the same was true 50 years ago. Even back then directors needed (20%) females to play the…

Wives
Mothers
Witches
Mean girls/ Bullies
Supportive girlfriends
Beauty Queens
Girls forced into arranged marriages
Spoiled rich girls
Cheerleaders
Girls who exploit men
Princesses
Singers
Girls who are raped
Strippers
Girls who are victims of incest
Hot librarians
Girls who get pregnant out of wedlock
Movie stars
Airheads and ditzes
Slutty girls

:wink:

Way more than 50 years ago Shakespeare HAD female characters… They just weren’t played by girls ;:wink:

Classics have to be disregarded in this argument, in a way, simply because they were written at a time without many/any female actors.

Current plays are slowly working their way to be more diverse.

I could not be a bigger proponent for gender/racial/ethnic diversity in regional professional theatre, but there are so many mitigating factors. The largest of which, is what audiences will pay to see.

Yep @TheaterHiringCo - what yearly season subscribers want to see and are willing to underwrite vs. what ‘student rush’ attendees want to see are very different animals. Even young professionals who are now used to pirating their entertainment for nothing seem unwilling to shell out for Art.

This is cool. Hopefully some musicals are included!

http://www.broadwayworld.com/santa-barbara/article/SBCC-Theatre-Arts-Department-Presents-GOOD-KIDS-20151024

I just saw that @fishbowlfreshman posted a relevant article on the Theatre forum so I’ll link it here as well.

Phil Willmott: What should we tell young actresses?
https://www.thestage.co.uk/opinion/2015/phil-willmott-tell-young-actresses/

Here’s some of his tough love…

But he does end on a more optimistic note…

I don’t understand why they can’t do RP. That seems like something anybody could learn – and should learn – at a reputable drama school.

@jkellynh17 - In reality I suspect RP will be the least of most actors’ worries. :wink:

Yes but easily fixable…as opposed to the way they look and gender inequity and so forth.

RP?

@austinmt - RP = Received Pronunciation = the “standard” British accent.

https://en.wikipedia.org/wiki/Received_Pronunciation

Cool! I learned something today!

I wonder if Shakespeare had access to female actors, would he have written more

This article was in the New York Post today. It’s about film, not theater, but still gives a bit of hope to our actor daughters! http://www.pressreader.com/usa/new-york-post/20151030/283162902461219/TextView