<p>Hi everyone, I just wanted to comment on a few things corvin posted above. His insight is great, but keep in mind it is the insight of one person with a set of very specific experiences; as is mine. (Actually… I know some of the people he mentioned in his post so I suspect he might be in my circle of acquaintances.)</p>
<p>I found his generalizations on Critical Studies and Production majors to be highly reductive. I am a Critical Studies major; due to the amount of coursework I undertake, the films I make, and the jobs/internships I take on, I have little to no free time. I know many Production majors who don’t overload themselves with coursework and have plenty of free time; I know many Production majors who have studied abroad, taken on double majors and minors, and interned at many places. I know Critical Studies majors who have taken Production courses that are only open to Production majors. I know people who have double majored in Critical Studies and Production. I know busy Screenwriters, Interactive majors, and I know plenty of slackers.</p>
<p>YOUR MAJOR HAS LITTLE WEIGHT ON WHAT YOU DO WITH YOUR TIME AND THE REST OF YOUR LIFE. I cannot stress this enough; one thing that irks me is a general opinion among many Production majors that all Critical Studies majors do is “sit in a room and analyze a film” and can’t “write and make one” (by the way, I do both - I want to be a screenwriter). That is not what we do, whatsoever. We study film history; you are familiar with the adage that those who do not learn from history are doomed to repeat it. We study patterns in filmmaking, the evolution of genres, how films can influence people and how they can reveal the darker underside of a society. We study film censorship, the invention of television, why films are the way they are, why certain films work and others don’t. But above all, we develop the skills that it takes to criticize something that we love. You can neither love nor understand something without embracing all of its flaws. So many Production majors think that film history, theory, and criticism doesn’t affect them or that their major doesn’t require them to know it. Well, in the real world, it is pretty important to be able to make a good film and sell it too, so you better believe some of this “boring course work” is pretty important. And you know what? I have taken boring classes in Critical Studies, and I’ve taken boring classes in Production too. I’ve also taken really interesting classes in both departments, and I’ve learned how to avoid the topics I have no interest in to maximize my learning experience. Most Production majors do not take more CTCS courses than what is required, so it’s pretty difficult to imply that they are all boring/inferior when you have not taken all of them.</p>
<p>Also, please note that USC is need-blind and they have a very robust financial aid program. USC will meet 100% of your USC-determined financial need. I grew up in a very poor family, and USC met my financial need with a university grant that covered my entire tuition. Yes, your mileage may vary, and unfortunately if your family owns a lot of assets you will likely have to take out loans. Just keep your expectations reasonable. </p>
<p>You can make a film for almost nothing. As corvin emphasized, it’s the story that counts. Some people will spend a ton of money because they have it, but this is where your creativity comes in. The school does offer scholarships and works with other organizations (like Alfred P. Sloan) to offer production grants. The key is having concrete ideas laid out and paying attention to deadlines. Yes, filmmaking is expensive, but SCA will give you many resources to help you along the way, especially if you show them that you are worth their investment.</p>
<p>Above all, please be yourself. Do what you love and what you’re good at. Your major does not determine your career; working at production companies, I’ve met people who majored in economics and engineering and have vibrant film careers. Many filmmakers did not study film in college (keep in mind film school is a relatively recent invention). Don’t think that this sole acceptance/rejection will determine your future. Be creative, work around the obstacles, and always be on your toes looking for new opportunities. I’m sure most of you will get in.</p>