<p>tetrahedron</p>
<p>I actually see where you’re coming from. It’s altogether not a bad point of view. For someone like you, the book, the original text, is the end-all-be-all of literature. I disagree, and I’ve disagreed from post #1.</p>
<p>Your whole post is assuming that if my essay doesn’t stay faithful to the book, then my ideas are worthless. Furthermore, you assume that my essay can’t stay faithful to the book if I haven’t read the book.</p>
<p>I disagree on both counts.</p>
<p>Literary theory and criticism has taken a life of its own. It’s been deeply deplored by some, but it’s true. Textual analysis is not even the name of the game in some parts. </p>
<p>But regardless of what’s happening in academia, consider this. Dwell on an idea long enough and you realize the idea has value in and of itself. It matters where it came from, but there is also value independent of where it came from. It is true that novels certainly are not mere containers for a set of ideas. Yet ideas are also not simply the novel’s reflection in abstract form, or shouldn’t be valued as such. You can call this quasi- or pseudo-philosophical and tedious, I don’t care.</p>
<p>If I choose to write about Novel X’s ideas, to some degree it doesn’t matter if those ideas were never inscribed in Novel X. Those ideas can be evaluated on their own terms. This should be intuitive. Then the name “Novel X’s ideas” becomes important only as a descriptor. That’s where (it is believed) those ideas came from. NOT that’s why those ideas are important. Because even if Novel X never existed, those ideas can be valued for their own sake. This is how I know I’m doing good work without having read the book. </p>
<p>Your foundation, then, is not really a foundation. Not when I care about the ideas in and of themselves. </p>
<p>Now about your second point. I don’t really need to address it after I talked about your first point. But let me humor you. Suppose I cared utmost about this foundation of yours, which is the book itself. Can I be sure that my essay stays faithful to the text more than my peers who actually read the text? In other words, can I be sure that I know what the hell is going on? Sure I can. That’s because so much of what is going on is more than just words on a page. </p>
<p>Your facile argument is that because I haven’t read every single word in the book, and others have, that I can’t possibly “get” the book, or at least be sure that I have “gotten” the book.</p>
<p>Not so. In some very real ways a book’s contents include the greater social, historical, literary forces of the author’s time as well as the author’s personal life. You cannot understand large portions of a book without being exposed to these forces and histories. In so much as these factors are important, which they are, I am getting a much closer read of the book than, ironically, those who literally read it. And I’m one inclined to say that even those parts of the book which can be understood from the text alone, can’t be understood well from the text alone. </p>
<p>And besides, those portions, what can be found explicitly, objectively, in the ink and paper, they’ve been the first things distilled by literary critics and can be communicated quite accurately, so I have no doubt I have as good a read of those as anyone else. Unless you think professional academics are so fallible that a 20-year-old is going to, as a matter of methodology, need to check up on their work by going directly to the source. Or is this just a quasi-philosophical quibbling of yours, and not a real objection? I think that’s about right.</p>