<p>I’ll fall in behind binx. If money is not an object then by all means go for it, but I’m still of the mind that 30k is too much for even a serious avocational musician especially if the resources can be put to better use. </p>
<p>For a conservatory level aspirant (or even a student at that level of ability not anticipating a music career path), there are numerous associated costs involved: youth orchestra, summer immersion programs, private instruction, in some cases competition and expenses. It can add up quickly. Many families struggle with balancing the outlay (including the instrument) to promote a rounded development as opposed to focusing on only one or two aspects. </p>
<p>binx wrote:
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<p>A valid point indeed. Those of us with dogs in the race have “kids” that have had the opportunity to play alongside a multitude of peers from a variety of backgrounds, and have most probably had their hands on and have played instruments that have graced some of the top orchestras in the country. They’ve seen, heard, and in many cases are familiar with a broad range of prices, makers, and purchase options. </p>
<p>We had to balance resources. I consistently asked my son if his instrument at the time was adequate, and I confirmed his response by frank and pointed questions directed to his instructor(s) and chamber coaches. When it was time to upgrade, we did it, but we did it knowing what was out there and at what cost.</p>
<p>The instrument does not make the musician, nor vice versa. It is a tool, albeit a very important one. But unlike chef’s knives or professional tradesmen’s tools, there is a great disparity in the price range, particularly for stringed instruments.</p>
<p>It’s a personal decision. Please proceed from the most informed standpoint possible.</p>
<p>Good luck to you both.</p>