<p>To add to this interesting discussion-- It’s not just talent and perseverance–it’s also connections. We Americans leave that out because we like to see the world in terms of personal accomplishment, and cronyism and connections don’t fit in with this world view. However, that doesn’t mean it’s not there. Of course, without talent and certainly without perseverance and professionalism and, yes, luck, you won’t really go anywhere, unless you’re Hollywood royalty. But MANY actors land jobs because of who they know. </p>
<p>What a BFA or an excellent BA program does - besides training you of course - is give you a foot in the door with connections. Sometimes you don’t really need a ‘top’ program. If you’re interested in local top regionals, for instance, then there are often college programs that are deeply connected with the regionals; often the faculty on the college is also working or affiliated with the regional theatre(s). </p>
<p>So the original question–it depends on which BA program and what your goals are. For instance, my D is interested in straight theatre, and would be thrilled with a regular regional or conservatory job. She is applying to some BA programs that are heavily affiliated with the local Shakespeare Festival and/or regional theatre. Some of them are not even well known nationally, but give excellent internships and equity points at their local very well-regarded Shakespeare Festivals. This leads to invaluable connections (as well as experience).</p>
<p>So it really depends on what your own goals are. I think if you view success as being able to support yourself by your acting - this is pretty incredible -then you can see there are many different routes to that goal, and having a BFA or a BA is part of that. It depends on you and your talents and goals. And as someone pointed out, don’t forget that you can go on to get your MFA.
Best of luck.</p>