<p>One more observation, as our discussion winds down…Did anyone else notice how much time the novel’s characters spend in the car?</p>
<p>The Major and Mrs. Ali’s first outing together takes place in a car: “She drove like a man, aggressively changing gear into the turns, accelerating away, swinging the tiny Honda over the hills with relish.” And so does their last adventure, when they escape from Mrs. Ali’s family, “out of the city, heading west, and already, thorough the slightly open window, the gloom of the afternoon seemed colder and cleaner.”</p>
<p>We first meet Sandy stepping out of a car: “The Major, trudging back up the gravel incline, arrived slightly out of breath just as the driver reholstered a silver lipstick and opened her door. More from instinct than inclination, he held the door for her. She looked surprised and then smiled as she unfolded tanned and naked legs from the close confines of the champagne leather cockpit.”</p>
<p>Grace has her funny, half-tipsy illness in the car: “Grace elected to sit in the back of the car, where she sprawled at a strange angle and, after a few moment of heavy traffic out of the town, declared herself to feeling just the tiniest bit green.”</p>
<p>The local club ladies make quite a picture in the car: “’Major, yoo-hoo!’ He turned around and was greeted with the sight of Daisy, Alma, Grace, and Lord Dagenham’s niece, Gertrude, crammed into Daisy’s Mercedes with so many overstuffed and billowing bags and packages that they looked liked four china figurines packed in a gift box.” </p>
<p>There are plenty more examples, so many that I’d say the car qualifies as a recurring motif. Everybody is on some sort of journey, both literal and figurative. And it’s likely no mistake that Mrs. Ali’s trips in the car are fast-moving, focused and somewhat adventurous, while the society ladies vehicle is idle and overstuffed.</p>