Musicians and Parents - Introduce yourself!

Very good question. As a rising junior, your son gets another year with YoungArts, so that does seem like it’s maybe silly to spend a lot on high quality videos. Senior year was our son’s first time entering (winner/finalist!) and we used the same videos for his prescreens- what it did was force us to have them ready well in advance since the YA deadline is mid October, so he was done with them early and could focus on the rest of the application process.

That said, I do feel that the quality of the videos was one reason he had success with YA. Is your son entering any other competitions? If so, that may be a good reason to do high quality recordings.

Best of luck-- it’s such a fantastic organization. I cannot say enough about how wonderful and supportive they are.

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It’s a good question, I just found out he can record at his music school and he will be using one of the pieces for a concerto competition. I guess the answer is that he should do good recordings or not bother. He plays a very competitive instrument so he wouldn’t be expecting to win this year, more to enter and go through the process.

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That’s so great to hear. My kid is applying to the UNT jazz program. I hear they accept just 4 or 5 new students each year. Congratulations to your son on getting there.

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Thank you. He loves UNT and feels very fortunate he was accepted. It is a lot of work, but he is learning a lot, made a lot of friends and is very happy at UNT. Good luck to your student.

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Hello joining you after finding you a few weeks ago:) DD24 is a cellist and clarinet player, NYO and junior conservatoire (we are not in the USA), and is keen to apply to US colleges prob for joint degree programmes. She was at BUTI last summer and will be there this summer too. I have already learnt so much from you all reading the music major threads that thought i should intro myself ready for applications next year.

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I’ve been around for a couple of years here, posting about my DS22 (who’s a first year clarinet performance major at Blair), but I’m gearing up for another round of college applications/auditions, so I figure I should introduce DS24 who, somewhat to my surprise, is currently pretty keen on doing a dual degree in French horn and…something (English? sociology? definitely not STEM is what he’s sure about). He’s not nearly as single minded about music as his older brother was, so I wasn’t really expecting to be looking at music schools again, but…here we are. At the moment it seems most likely that he’ll apply to several schools that offer BMs and have strong academics but probably also some LACs with good music opportunities but not actual performance degrees and then see what his options are come spring. He’s also considering trying for Early Decision at Blair. I don’t know what his chances are there, but I sure would love to have two kids at the same (relatively close, since we’re near Atlanta) college!

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I’m an oldie and one who was a first year poster on this thread. Every so often, I come and read about all of the new musicians and parents.

There IS light at the end of the tunnel. My trumpet player got his masters in 2009. Toured with a brass quintet for a year. Relocated, and has established himself well as a freelance musician.

We will be seeing him play in the pit orchestra at the equity theater in the town where he lives this weekend!

Enjoy the journey with your musicians!

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Looking forward to going through this with you and all of your experience! S24 has Blair/Vanderbilt double major probably as first choice with debate with an LAC such as Williams. Will decide in the fall after summer programs. Can’t believe it is almost their turn!

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I can’t believe that this site has been here the whole time! When I was first applying to college in 2019-2020, I thought the online places music majors could ask each other questions was on Quora and social media threads-- but that’s the wild wild west of the internet.

A bit about myself:
I’m a rising senior pursuing a BM at UCLA and will be looking around for some MM advice. But it’s so great to see so many excited parents and students alike who are excited about the wonderful journey that is music major life. <3
but anyone out there still wondering if they wanna be a music major and are just starting to think about college decisions or commitment to the study; just know this:

Do music as your choice of study when you think you want to know more. Because-- there’s always more to learn out there. However: Committing to music as a field in a college/uni gives specific benefits. It’s one of the possible paths toward meeting great teachers, being immersed in an environment with other passionate people like you, and having a foundation to start your musical career(which depends on what you want to do with it).

And: there are those who also worry that they might regret it and want to try something else: that’s okay :slight_smile: And if anything-- you’ve got time!

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I had been on here a long time ago, when my son was going through the whole process, of figuring out a program, you name it (goodness, that was like 12 years ago, wow has time flied). In the meantime he found a teacher and school (not without some drama, that I think turned out was fortunate), grad school, music festivals, and is now the founding member of a chamber quartet that in the last 5 years has steadily built up their career to the point where they are considered one of the rising young groups out there.

Hopefully my perspective on the whole process including the professional/career side may be of help to others. My perspective has certainly changed over the years..and obviously these are just my views from watching my son’s story and that of the members of his group unfold.

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Really great to hear your thoughts. As a parent of a student soon to finish his BM, it is helpful to hear of life after conservatory.

I know that it is very much a non linear path, and my son is fine with that. He is continuing to work hard, gain experience, make connections and make his way in the music world.

I am very much a linear person, but have learned to trust his talent and instincts. :blush:

That is huge, the trust, you kind of have to have that trust that the kid is going to put the work in and be okay whatever happens, it is a really big leap and as much confidence we had in our son’s ability and in him and his intelligence and the person he is, it is still a leap of faith, especially with all the support it requires.

We put as much as we could into our son and I have to admit he has wasted nothing and put max effort into it, and hasn’t let up. It is why the general thought about if a kid wants to go into music, they have to be someone who truly thinks it is them, is the only thing they see themselves doing and pursue it even knowing how hard it is, that even the best of the best have a hard path and that it is so ambiguous, it true.

. You can be talented, practice your heart out, do everything you can, and end up not being able to do what you wished. Someone once told me being a doctor was hard, and without disparaging the profession one bit, it is hard in a very different way because there is a clear path there for most of it, how to get into med school, the training, how you get into a field (that is the tricky one from my 10k feet look at it, exposure in med school on rotation may not give you your passion), you kind of know, and that there will be a job out there for you, even if it isn’t what you hoped :slight_smile: . Again not saying it is easy, Organic Chemistry is proof of the evil genius behind it lol (was my bete noire). Music is murky as h***, to make it requires talent and drive and discipline and dedication, but also requires networking and mentors, and to be honest, more than a bit of luck, that the stars align and what the kid did had the right formula for what they wished to do.

Even if their goal is not to become a world class soloist, if they would be happy putting together a career that combined let’s say teaching privately with being part of local orchestras, doing gig work, that isn’t easy to put together these days, competition for gig work and getting into paid orchestras at all levels has seen intense competition because of the changing nature of music. I tell the story of one of my son’s teachers (who is a bit older than myself), that they got into a pretty well paying professional regional orchestra right out of college, and has made a good living with that, teaching and doing gig work too, but today that likely wouldn’t happen, the competition level is just too high (and note, yes, you do read about kids coming out of conservatory and landing high level positions, even principal positions, at some big orchestras, but they are as rare as becoming one of the big violin soloists).

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The students discussed on this forum are young, but just want to interject that if any of them want a family, things can get complicated as they get older! It can work, but as the young people I know progress in their 30’s this is more of an issue.

It is difficult, especially for musicians that have to travel a lot. It is one thing to be a member of a full time orchestra and teach, it is another to be constantly on the go, etc. With Chamber groups one of the ways they deal with this is they get residency at a school of music, and at that point it becomes much more valuable. In my son’s case it is hard because of the time involved, they rehearse pretty much every day and then they are travelling to their performances, hard to maintain a relationship.

It also of course depends what you do, if you make a career doing local gigs, teaching and so forth, then it is easier. The Cellist of the Shanghai Quartet recently left because they are in residency in China, he he felt that it was better if his kids grew up in the US and they could be closer to family (he is American born).

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