Nashville, the TV show

For me, the show was really hurt this season by Hayden Panettiere’s absence. I kind of hate how her character oscillates between interesting and cartoonishly evil, but one way or another she energizes the show whenever she’s on. I am pretty sick of everyone else: Deacon has turned into a boring loop, Rayna is another boring loop (and, sorry, I love you Connie Britton, but you can’t sing, and there’s never been a Queen of Country Music in real life who couldn’t sing paint off a wall), Scarlett is a loop, Gunnar is a loop, Layla has Panettiere’s Syndrome – a sympathetic character except for her flashes of satanic evil. Basically, all the women are evil except Rayna, who is the world’s wimpiest diva.

I like Luke Wheeler, though, even if they had to change his character completely to make that happen. And I liked last week when they finally gave Will more depth than the distance between the closet door and the back wall.

Another thing that hurt the show somewhat this year was following Empire, which is really about 90% the same show in a different color, and with much, much better clothes. I am losing patience with Empire, too, but every week, about half way through Nashville, I think, “How much music industry/family soap opera do I really need to watch?”

Both shows have been scrimping on the best part, too: the music. I’ll forgive anything for a few good songs every week, but they haven’t been delivering reliably. Last week, Connie Britton sang two verses of a song, and that’s always a mistake. Maddie’s audition was awful (as it was supposed to be for the plot, but they could have made it awful with a good song). The couple bars they showed of Avery’s song were alright, and I don’t remember if we every really got to hear the song Gunnar wrote with What’s-Her-Name.

Re Smash: Megan Hilty is suddenly everywhere, and Katherine McPhee is decorating some other show and dating her co-star. They seem to be fine.

I think the problem with shows like Nashville and Smash is that while they have loyal viewers, they don’t add new viewers after the first season (except my daughter’s BF, because she makes him watch with her or listen to her talk about it).

Smash was a favorite of mine, and I’ll miss Nashville too

@JHS, brilliant summary. :slight_smile:

I think Avery has always been the outstanding musician of the bunch. Would that we could hear more of him. He leans more toward rock than country, though. Before they finish, I hope to doG that he gets another recording contract and gets rid of Layla. Honey, go to Harvard.

That’s right. When she first showed up, the line on her was that she had gone to Harvard, but I don’t think that’s been mentioned in, say, four seasons. (And, honestly, they haven’t written that kind of intelligence into her character.)

It may have been posted upthread (been awhile since I read the earlier posts) but Aubrey Peeples (“Layla”) deferred her admission to Harvard IRL to take the part on “Nashville”.

(Edited to get Aubrey’s name right. Thanks, @Consolation!)

Wow, I knew her character had deferred Harvard, but I didn’t know she had! BTW, her first name is Aubrey.

I agree that her character is not written as intelligent. Symptomatic of the lack of imagination of the writers, I guess.

I think it is too late for any wrap ups. There are only 2 more shows and they’ve already been filmed. Next week will be a season finale cliff hanger, and we’ll never have an ending.

It looked lie they really tried to wrap things up with tonight’s episode, right up to the big cliff hanger with Juliette’s plane. I hope another network pics up the show.

Clare Bowen tweeted out something that made it sound like it would be picked up somewhere.

Well, if it is picked up, it sure isn’t in very good shape to go forward. All the story lines are tied up, except that Juliette is either dead if Hayden doesn’t want to/can’t return or alive if she does. (I actually burst out laughing at that ending–the writing hasn’t been good for quite a while now, and the whole episode was absurdly rushed, but that last scene was the clunkiest I’ve watched in a long time. “Everyone waiting to be reunited with your long-time love, step forward. Not so fast, Avery.”)

I have to wonder if whatever outlet might pick it up could even pay the regulars enough to keep them on board, given the fact that the ratings were poor. And after four years, I’d think some of them would be ready to just move on anyway…

A movie wrap up?

Yup, everything is tied up with a nice red bow…the only thing that makes me curious now is the potential storyline between Luke and his wife and they could accomplish that in one episode.

I thought it was great. I will miss it very much.

The beginning of the episode seemed like it was raising new conflicts, and then most everything got resolved, mostly brilliantly. There are enough remaining threads to continue into a new season if it gets picked up…I hope so.

What’s up with the jail icon? I see it on more than one or two. Is it fashionable to be in prison these days?

I totally forgot it was even on last night, since almost everything else has already wound up.

I enjoyed the show for a number of years, but I don’t think it has the energy to go on. Certainly not without Panettiere – but then the writers haven’t exactly shown themselves capable of writing good story lines for Juliet. (Not that Panettiere’s PPD made things easy for them.)

The jail bars mean I’m in final warning before suspension. I’m pretending they look like the Supreme Court.

I actually loved the ending and would be OK with Juliet dying in a plane crash. It reminded me of the sad, too-early deaths of Buddy Holly and Jim Croce an Lynyrd Skynyrd.

The way they tied all the loose ends up was a little too canned for me, but they must’ve been preparing in case the show got cancelled. And then the cliffhanger, in case it got picked up and/or Hayden doesn’t return.

I was just thinking about the positive evolution of some of the characters over the four years. Luke is the obvious example, but remember how horrible Avery was in his earlier incarnation? And certainly Juliette is in a better place than she’s been throughout the series. Even Will’s awful father saw the light, and wretched Jeff Fordham died a hero! Only Layla missed out on any redemptive arc. Seems like the writers were optimists at heart, or else they just believed that viewers need happy endings.

Of all the rushed plots, Maddie’s was the dopiest. She had to fend off one pass from a skeevy guy and next thing you know she was berating her beloved Cash for getting involved in a conversation and rushing back to the family she had happily abandoned. Meanwhile she’s still in contract to the NYC company and has said terrible things about her father in public–so that reconciliation should go well! I don’t think even the worst daytime soap or telenovela would have had such a ridiculous plotline.

I just wish the series end had been announced at the beginning of this season, so the writers could have taken their time and done a better job.