Poetry Corner

<p>A few poets and poetry fans have posted poems in Sinner’s Alley. It reminded me how much I love poetry but rarely have opportunities to read it.</p>

<p>I hereby open up the CC Parent’s poetry corner. Post a couple of lines, a stanza, a whole poem. Post the tales of poet’s lives. Post your impressions of the posted poetry. We’ll all enjoy.</p>

<p><a href=“http://www.poemfinder.com%5B/url%5D”>www.poemfinder.com</a></p>

<p>From W S Merwin’s Friends</p>

<p>My friends and I have in common
The present a wax bell in a wax belfry
This message telling of
Metals this
Hunger for the sake of hunger this owl in the heart
And these hands one
For asking one for applause
</p>

<p>My favorite love poem (from e.e. cummngs)</p>

<p>somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near</p>

<p>your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously) her first rose</p>

<p>or if your wish be to close me,i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;</p>

<p>nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the color of its countries,
rendering death and forever with each breathing</p>

<p>(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain, has such small hands</p>

<p>I love this one too:</p>

<p>Autumn Thought by Ts’en Shen (translated by C.H. Wang)</p>

<p>Suddenly aware that the good year is almost over,
Sitting down, I look at the chilling leaves of fall.
I cannot even be like the decayed grasses
That whirl up and transform into fireflies.</p>

<p>PS Thank you Soc Sci 11 for introducing me to Chinese Poetry. :)</p>

<p>I think most of my poetry knowledge comes from Freshman English 101, and the anthology we studied. I loved those poems so much…sometimes I like to re-read them still. Very comforting to the soul.</p>

<p>A lot of the older poets are being crowded out today by the study of “diversity” literature. Nothing wrong with authors of other lands, but it’s sad, in a way, that the “greats” of American & Brit Lit are unknown to many kids. Especially non-liberal arts majors, who may not discover them on their own. This is Western culture, folks! which I realize is changing rapidly.</p>

<p>I have occasionally bored my gearhead children by trying to introduce them to works by dead poets of whom they have never heard. Sigh.</p>

<p>That said, one of my favorite bits which incidentally supports my position that we NEED poetry is this one by Sadi, a medieval Persian poet (don’t know who did the translation):</p>

<p>If of thy mortal goods thou art bereft,
And from thy slender store two loaves alone to thee are left,
Sell one, and with the dole
Buy hyacinths to feed thy soul.</p>

<p>This is a beautiful part of a longer poem called “Admonitions To A Special Person” by Anne Sexton:</p>

<p>Watch out for love
(unless it is true,
and every part of you says yes including the toes) ,
it will wrap you up like a mummy,
and your scream won’t be heard
and none of your running will end.</p>

<p>Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can’t be planned, you just fall
into its arms because your belief undoes your disbelief.</p>

<p>SBMom–Awwwwww…</p>

<p>That brought a tear to my eye.</p>

<p>Two death poems – I’ve always loved them, they’re short, and I’m in a somewhat morbid mood. I especially like the concreteness of the first (bolstered by the fact that in 18whatever the word “hand” could also mean “handwriting”).</p>

<p>Keats:</p>

<p>This living hand – now warm and capable
of earnest grasping – would, if it were cold
and in the icy stillness of the tomb,
so haunt thy days and chill thy dreaming nights,
that thou would’st wish thine own heart dry of blood
that in my veins red life could stream again
and thou be conscience-calmed. See – here it is –
I hold it towards you.</p>

<p>Stevens:</p>

<p>The palm at the end of the mind,
Beyond the last thought, rises
In the bronze distance. </p>

<p>A gold-feathered bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song. </p>

<p>You know then that it is not the reason
That makes us happy or unhappy.
The bird sings. Its feathers shine. </p>

<p>The palm stands on the edge of space.
The wind moves slowly in the branches.
The bird’s fire-fangled feathers dangle down. </p>

<p>I love that Sexton, by the way.</p>

<p>I am only posting what I know by heart right now because I’ve just come in from teaching and have to go out again for a 6 - 9 class, ew, those college tuitions sure don’t come easy.</p>

<p>In a Station at the Metro
The apparition of faces in a crowd
petals on a wet black bough.</p>

<p>Ezra Pound</p>

<p>Nature’s First Green is Gold</p>

<p>Nature’s first green is gold,
The hardest hue to hold;
Her early bud’s a flower
But only for an hour.
Then leaf subsides to leaf
As Eden came to grief,
As dawn goes into day,
Nothing gold can stay.</p>

<p>Robert Frost</p>

<p>More later. Thanks for these tidbits, especially the Stevens.</p>

<p>Heat of autumn’s day
Released in dusky glow
Softly winds it’s way
Through secret night shadow
Eyes wide and watching
Dancers on the wall
Luminous ghosts appearing
Just before the Fall</p>

<p>For those who miss their college-bound S’s and D’s. Here is one by WS Merwin, entitled Separation. </p>

<p>Your absence has gone through me
Like thread through a needle.
Everything I do is stitched with its color.</p>

<p>mythmom-
That Pound is one of my favorites.</p>

<p>One Perfect Rose, by Dorothy Parker</p>

<p>A single flow’r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet –
One perfect rose.</p>

<p>I knew the language of the floweret:
<code>My fragile leaves,’ it said,</code>his heart enclose’.
Love long has taken for his amulet
One perfect rose.</p>

<p>Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it’s always just my luck to get
One perfect rose.</p>

<p>The Grammarian’s Love Poem
by Patricia Hart</p>

<p>The subjects of my sentences
Have all at once switched case.
For every “I” that was before
A “You” is in its place.
All old hurts are forgotten;
I’ve learned another tense.
For all the “has beens” in the past
You make a recompense.</p>

<p>Over petty aggravations
You have a sorcery,
For like a subject and a verb
The two of us agree.
You bring out all the good traits
That no one else pursued.
No more “If I had someone,”
No more subjunctive mood.
So I’ll use a complex sentence
To illustrate my cause.
I’ve suddenly discovered
You’re my independent clause.</p>

<p>Yearning</p>

<p>there had to be a snowy place,
that works its vast, entire face
into dawn and daylight.</p>

<p>A place
where thoughts are lost
as trees against the treeline.</p>

<p>-Kolbein Falkeid
(Norwegian, 1933- )</p>

<p>Oh cheers—thanks for starting this thread. I’ll have to go hunt down some of my old favorites, but I love reading everyone’s posts. SBmom, I loved Sexton’s piece…I looked up the entire poem—you captured the most beautiful part. Thanks!</p>

<p>The Beats - Heard Ginsburg perform “Howl” live years ago. Gary Snyder. James Merrill(not a beat, but a favorite)</p>

<p>A poem for writers (and aren’t we all?) “Digging” by Seamus Heaney"</p>

<p>Digging</p>

<p>Between my finger and my thumb
The squat pen rests; as snug as a gun.</p>

<p>Under my window a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down</p>

<p>Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.</p>

<p>The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked
Loving their cool hardness in our hands.</p>

<p>By God, the old man could handle a spade,
Just like his old man.</p>

<p>My grandfather could cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, digging down and down
For the good turf. Digging.</p>

<p>The cold smell of potato mold, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.</p>

<p>Between my finger and my thumb
The squat pen rests.
I’ll dig with it. </p>

<p>------And another by Yeats:</p>

<p>The Circus Animals’ Desertion
I </p>

<p>I sought a theme and sought for it in vain,
I sought it daily for six weeks or so.
Maybe at last, being but a broken man,
I must be satisfied with my heart, although
Winter and summer till old age began
My circus animals were all on show,
Those stilted boys, that burnished chariot,
Lion and woman and the Lord knows what. </p>

<p>II </p>

<p>What can I but enumerate old themes,
First that sea-rider Oisin led by the nose
Through three enchanted islands, allegorical dreams,
Vain gaiety, vain battle, vain repose,
Themes of the embittered heart, or so it seems,
That might adorn old songs or courtly shows;
But what cared I that set him on to ride,
I, starved for the bosom of his faery bride. </p>

<p>And then a counter-truth filled out its play,
‘The Countess Cathleen’ was the name I gave it;
She, pity-crazed, had given her soul away,
But masterful Heaven had intervened to save it.
I thought my dear must her own soul destroy
So did fanaticism and hate enslave it,
And this brought forth a dream and soon enough
This dream itself had all my thought and love. </p>

<p>And when the Fool and Blind Man stole the bread
Cuchulain fought the ungovernable sea;
Heart-mysteries there, and yet when all is said
It was the dream itself enchanted me:
Character isolated by a deed
To engross the present and dominate memory.
Players and painted stage took all my love,
And not those things that they were emblems of. </p>

<p>III </p>

<p>Those masterful images because complete
Grew in pure mind, but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder’s gone,
I must lie down where all the ladders start
In the foul rag and bone shop of the heart.</p>

<p>Okey dokey. I’ll cave and admit, in cyber-embarrassment… Garland–What the heck is that Keats poem about!!!</p>

<p>This was one of the readings at my wedding. Some people didn’t really get it, but my best friend from high school (slash deep thought soulmate) got really excited and said it was a great poem for a wedding. I like it because it’s about the little ways in which being in love with the right person makes you appreciate life. It’s by Adrienne Rich, who’s probably my favorite poet ever.</p>

<p>We have, as they say,
certain things in common.
I mean: a view
from a bathroom window
over slate to stiff pigeons
huddled every morning; the way
water tastes from our tap,
which you marvel at, letting
it splash into the glass.
Because of you I notice
the taste of water,
a luxury I might
otherwise have missed.</p>

<p>Astromom–
Yeats is, basically, writing about the things we do to sound impressive and cool, doing tricks with “circus animals” (his were his use of Irish Mythology in much of his writing, which is refered to in the middle stanzas), but in the end, he strips himself of all his flashy subjects, and builds “ladders” (structures to reach something higher, more important) in “the rag and bone shop of the heart”–in true, unadorned human experience–all the unmitigated “stuff” that is real life.</p>

<p>I have always liked the poem because I think it’s about getting past the BS. Kind of thumbnail–I’ve had a couple glasses of H’s homemade mead, so if that is not clear, please feel free to inquire fully, and I’m sure I will be quite willing to keep rambling to a better answer.</p>