<p>Stanislavsky is the foundation for ALL modern theatre training. The different schools of thought all use Stanislavsky as their “jumping off point” and then take it different directions. Many insist “We are doing real Stanislavsky, everyone else is doing it wrong!”. When the debate goes in-depth, it can even involve arguments about how to translate specific Russian words (since Stanislavsky wrote in Russian).</p>
<p>I would therefore be skeptical about anyone who said “We do pure Stanislavsky.” I would be asking which of the interpretations of Stanislavsky they follow.</p>
<p>KEVP</p>