Vocal Competitions

Hi,

My HS Jr. son is interested in attending a conservativatory Voice/Opera program. What competitions would you all consider important for him to participate in, or place in, in order to be considered by competitive programs/scholarships?

When I looked at Oberlin for composition w my older kid, mid-pandemic, I was gobsmacked to find out that competitions even existed! And yet here I am again with an aspiring vocalist in spring semester of their junior year, just starting to bring my attention to this possibly critical area, again. Hopefully we’re not too late!

Thanks in advance!

It’s not too late! I have a daughter who is a freshman VP major at Oberlin this year, and other than NATS, which she did sophomore year, she started the major competitions in the fall of her junior year.

I highly recommend the Schmidt competition. They hold auditions all over the country, and I know there are still several left this year, so he can probably get into one of those. I wouldn’t recommend traveling a long way if there is not one near you, though, unless you think he has a really good shot at winning top 3, which could offset some of the cost. He could also just wait until next year and find a competition that is closer. My daughter competed at Schmidt her junior and senior year, winning 3rd place the first year and 1st place the second at the state level, and she went to their national competition both years, as well, and was a finalist and encouragement award winner her senior year, which was great, but even without the wins at nationals, it was worth the experience. It’s a fantastic program, and she made a lot of great friends and contacts. They also have a summer institute that is wonderful, and you can use your competition performance as an audition for that. For the summer institute, they bring in teachers from all over, so it’s a good way to get exposure to several different schools.

If you can swing it, I also highly recommend the CS Music competition junior year, which will be in Boston this year in late May. We went the past 2 years, and my daughter met a ton of teachers and was exposed to several great colleges through the program. She was also awarded a bunch of scholarships. The scholarships are the reason it’s good to go junior year – you can then go into senior year already knowing you have some guaranteed awards at certain schools.

The Richard Miller competition at Oberlin is also a good one. The prize money is nice, and it would give him great exposure to the teachers there and give him an opportunity to have a sample lesson or two if you can stay an extra day. It’s in October and also usually happens during family/opera weekend, so there will be lots of activities going on, and they give the RM competitors free opera tickets for their family after the competition, which gives you a little more insight into the program.

YoungArts is another great program that will have auditions in the fall. You audition online, and then they announce the winners in mid-late November. Winners with distinction get an all-expenses-paid trip to Miami for YoungArts week, where they will meet other talented kids, audition for additional scholarships, and work with teachers and performers in their field. My daughter’s teacher from Oberlin was at YoungArts her senior year, and after working with her for a week, my daughter was absolutely in love with her and wanted to study with her. She still agonized over her decision when it came down to choosing a school, but she’s really happy with where she ended up and feels like having that time with her at YoungArts helped her make the right decision.

There are also several online and sometimes local competitions he can enter. We have a local concert venue that does a big competition for kids in our area who are in the arts, so that was a good source of scholarship $$ for my daughter. But those will vary by state/district.

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Thanks, this is super helpful! My son is already signed up for Schmidt this year, and did compete in YoungArts but didn’t get anywhere. (He didn’t have a private teacher at that time and I believe recorded it without a pianist, so, hopefully there is not too much to be read in to that!). I’ll check out the others you mentioned, and really appreciate your time to write this all!

Clara30 gave you great suggestions. These are definitely the most reputable and meaningful competitions a high school classical singer can enter.

I also will add that many high school singers do not enter competitions at all, and it really doesn’t impact college acceptances. Competition wins and placements are great for making connections and for $, but college acceptances for voice depend almost exclusively on pre-screen videos and auditions. In other words, he can be very successful at conservatory auditions with no competitions on his resume. But by all means, use competition experience to connect with prospective teachers and to get a more objective gauge of where he stands among his peers.

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My Oberlin senior did not do any competitions until submitting to YoungArts his HS senior year with the same videos he was submitting with college apps. He made connections with college faculty by attending summer programs. This was also a really good way to see where he stood in comparison to his peers in terms of development and repertoire.

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In our experience summer programs were helpful vs focusing on competitions for a high schooler. And a really good teacher. Conservatory prep can be helpful as well, but not essential if not available.

As others have said, for a conservatory, audition is the thing, not the resume. (For BA applications at colleges, the resume would be part of a supplement and might contribute to chances.)

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