On the academic boards, the idea that if you don’t go to an elite college you won’t be able to achieve, or the obverse, that getting into an elite college means you will do well. Obviously, a lot of parents on here will say that is BS, but there are still those on here who push the elite school=success line, to the level that kids should scrape up every dime they can to go.
That elite school admissions is not a numbers game, that the schools in their admissions are holistic, when they aren’t, unless you have really special circumstances, if you don’t have the hyper stats, you aren’t going to get in 99.9% of the time (there are always exceptions, but that doesn’t mean the process is holistic). Conversely, that numbers alone will get you in, things like where you come from, who you are competing against, your background, can work against or for you in these things.
The music major board is full of these, here are some of my favorites
-Kid starts an instrument in high school, and people are telling them of course they can get into a good music school, college is the ‘time to get serious’ and so forth. That simply isn’t true, and if the kids goal is to get into a top level music school, it isn’t going to work
-"I know someone who started playing an instrument in high school, someone who went to a community college music program, never went to a music school, etc and got into a top orchestra, created a big music career…and when you ask, either it is hearsay, or you find out it was 30 years ago. Music has changed so much during the time, the level of competition is such, that that isn’t going to happen, not even if the person has ‘natural talent’. BTW I am talking the level these people are talking about, getting into a top level professional orchestra, or getting the kind of gig work and such that they can make a decent living, not talking getting into semi pro orchestras, playing weddings, teaching at local music schools, etc.
-That if someone isn’t high level enough to get into a top auditioned program, they can ‘work it out over time’ and ‘catch up’. Outside some rare examples, not going to happen, because the kids they are competing against will be getting better, too, over that time, and most music students in performance these days go beyond the BM/BA level.
That doesn’t mean a kid has to go to a Juilliard or Curtis or Rice or CIM et al, it means that they likely have to be at that level, or maybe a bit below it, to go forward in music. A talented kid studying with a good teacher can do well at schools not reputedly at that level, but they need to be in that class of talent going into music school.
-The parallel to the HYP or death idea, that only going to Juilliard or Curtis and the like will get you into being a serious professional musician (this is big among kids from Asia especially). That isnt’ true, while a program like Curtis, that is probably the top of the pyramid, or Juilliard , etc definitely are great schools, offer great advantages, the school alone doesn’t do jack for the kid, the name alone won’t do much for them, it isn’t like coming out of college, interviewing, and having someone impressed by a HYP degree, doesn’t work like that.
-Parents who think that impressive academics will get a kid into a top level music program even if they aren’t that strong musically (I have only seen a relatively few on here who say that, but over the years have seen it here, more in the broad world). Impressive academics can help with the admission if the music school is in a university for the college side of things, and can get them academic merit aid in such a program, but at a pure music school or at one in a university, it won’t get them in if they are marginal, the audition is everything with music (in some cases, if there is a tie between candidates, the academics could act as a tiebreaker but having talked to admissions people at the top music schools and asking that question, none had ever seen that).