<p>@Emmybet and others:</p>
<p>On the topic on audition dates - thank you! This is one topic that I have done little research on and have forgotten to bring it back up to my attention.</p>
<p>On the topic of potential talent, I understand. </p>
<p>On the topic of safeties - location is the largest factor in applying to colleges. All the institutions I listed are in major cities or college towns, which is the largest factor in my college decisions process. I have also visited most of these cities and have fell in love with several of the campuses. Financially, I have been fortunate to be able to attend the college of my choice, and although a cheaper college and location would be nice, this is a minor factor in my decisions. I intend on taking a year off if I am not accepted into any of my above schools, and trying again the following year. I have friends in LA who are attending community college level acting classes and have opened up their apartment to stay with them and audition into the business. </p>
<p>@ KatMT </p>
<p>The subject of lesser known schools is largely a location issue, as stated above. For this reason UMich is a little unappealing to me, but the training is too good to give up. I understand that there are strong schools out there and that your training is what you make of it, but the teachers, facilities, and tools given are also important. I may be wrong for having this type of attitude and I am well aware this might come off as a bit elitist but I do not think I would be happy attending a lesser known school that has its name out there in the theater world but is not the first to be brought up in a conversation of well known theatre schools. As for other BA programs and their competitiveness, I personally am driven to master the craft of acting and I understand that there are many strong BA programs. I would just like to have the best handful of movement, speech, styles, analysis classes that most BA programs can offer, but not to the extent of a BFA program. Of course most performing arts majors wish to attend a BFA program, but I just don’t see myself fitting into the program as a backup. I wouldn’t mind waiting another year and training for the next year’s auditions. </p>
<p>My mistake on the BoCo addition to the list. It was the only school I had considered trying my hand at MT auditions for.</p>
<p>Stated above, financially we are well off and a gap year has been discussed. I have thought of backup schools such has CSUF and CSULB, but I am simply not interested in spending time at these schools for any of the reasons listed above. (in this case, location.)</p>
<p>I will look into the EA options for the programs I have tagged of interest. Thanks so much for the tip!</p>
<p>@Kylebelieves </p>
<p>I don’t intend to sound like a dreamer and optimist, but I really am. I am well aware of the statistics and acceptance rates, and I am more than willing to wait out a year and try again. On the opposite side of the coin (relative to all the stories of people who did not get in anywhere), there are a plethora of my friends who have recently been accepted. From my school there were two seniors this past year who got into the majority of their top programs - they were both ethnic as well. This includes UArts, Mich, Carnegie, Pace, and so on. As for the others, only one girl that I know of in my school who intended for a performing arts major did not get into any schools. The rest ended up at Roosevelt, DePaul, Pace, BU, NYU, USC, with only a handful of students ending up in backup schools. I am ready for rejection although hopefully I can fare as well as my classmates. I guess all in all, I don’t mind waiting and trying harder.</p>