@“Snowball City” You’re in luck. We touched down briefly in the BVI (there’s a tea shop on the water the Missus adores! so we had to stop for a crumpet and they have wifi! No technological divide here! And don’t feel bad about the “deeper thoughts” I think I think deeper thoughts than ANYONE is capable of - so you’re in a lot of GREAT company!)
Those stats are interesting. I’ll check them out. I stumbled across this paper from 1996 as well. It is super-thick and seems extra-wonky (and I have only really skimmed it. Hard to read on the Falcon - too much turbulence.) There is a lot of inequality in schools - often created by the schools themselves (Regents, Honors College, College-specific guidance not availableto the entire University anyone?) In this case they debate if “orthodox writing centers” themselves are an ethical problem. As I said, I did not deep-dive but one passage caught my eye, and I will quote it here, because it really gets to the heart of where I come from on this issue:
"Another political danger confronting the orthodox writing center is a kind of classism or elitism. By holding clients to a standard that writing center practitioners and educators in general do not observe, the center may relegate them to an inferior role. In refusing to write on a student’s paper or supply occasional phrasing or suggest specific lines of inquiry, writing center personnel are withholding from clients precisely the kind of directive, appropriative intervention that is routineIy offered to publishing academics by colleagues and editors.
The authors of this article frequently show their writing to others who have suggested and sometimes actually made specific, detailed changes in their texts. Do students deserve less than what we expect for ourselves?"
http://wpacouncil.org/archives/20n1-2/20n1-2clark.pdf
I find it interesting that Prof who habitually use collegues, friends, professionals, editors, to help focus and improve their work, still feel completely comfortable that it is “their” work.
I have worked with many students in creative writing MFA settings. I have read and commented on many of thier papers as a “helper” and I have read and commented on many of their papers as a grader. While creative writing is different in many ways from reports or analytical papers, it is pretty easy to tell when a writer’s voice changes in a way where you doubt they have actually done the intellectual work to make an idea their own. I think most professor, if anyone out there is actually writing significant parts of a paper for a student, can tell. One of the most common comments I made as a creative writing reader was “this doesn’t sound like the previous 4 pages.” And it is usually worse in creative non-fiction, because it is easy to “adapt” the voice of the source material.
It’s an interesting question. I still think the aid provided by a parent (or non-student friend) on a paper or two over the course of a college career is way down the list of substantial inequities for 1st gen or academically resource challenged students, but I could be wrong. I would suggest maybe the thing to do, rather than restricting other students access to this resource is find a way to offer it to other students. I don’t know if writing centers now have the option of emailing a paper at “non-office” hours (I think that’s probably the biggest draw of parent/friends - they wil work at non-office hours and don’t have the homework stress of your roommate.) but that would be something to consider. It even be something that could be outsourced (to adjust for time differences. A 10 pm paper-editing session in New York is a, what, 4 pm paper in Hawaii! Just a thought…
Anyway - Got to go. We’re watching the meteor shower with cocktails on the Prince’s yacht before we head off to St. B’s. Toodles!