Titles for "Film" Majors - Cutting through the confusion

There are now so many names for “Film” majors that maybe we can use this thread to cut through the confusion. I’ll list some here, and those in-the-know can add others.

Degrees:

Certificate: For short focused study in one area.
Associate in Fine Arts (AFA) or an Associate in Arts (AA) degree is granted by technical schools, community colleges and other programs that usually last two years.
The Bachelor of Fine Arts (BFA) degree is awarded for a degree in visual or performing arts after completion of a four-year college or university program. Of course some students take longer to complete this degree- or shorter if for example they have a lot of AP credits that are accepted by their college.
The Bachelor of Science (BS) degree and a Bachelor of Arts (BA) degree are other four-year degrees, and differ from the BFA in that in addition to the professional preparation, they may offer a broader background in the humanities, math, and science. A BS may have more background in the math and science areas while a BA may concentrate more in the social sciences. However, the major difference between a BS and a BA may depend more on the university than on any real course differences.
A Master of Fine Arts (MFA) degree is awarded after the completion of graduate work in the visual or fine arts.

Majors:

Cinematic Arts is the art and science of making films, Usually involves both production and film studies.
Film Production teaches various aspects of the craft of making films: screenwriting, directing, editing, casting, special effects, and many, many other jobs. A later chapter will give the details of film production jobs, but these can be lumped into pre-production, production, and post-production categories.
Media Studies or Media Arts expands the range of study to cover not only film, but other media such as television, radio and multi-media programs. Media Studies may even be associated with Journalism or Communications departments.
Media Management programs will concentrate more on the business aspects of film and media, rather than the creative or production craft aspects.
Communications is a broad field of study that would include concentrations in film, radio, television, journalism, and interactive media.
Film Studies will concentrate on the theory and critique of films that have already been made. If you love film history, this might be the major for you.
Cinema Studies will be similar to film studies, but would probably involve some production courses and making of films.

Tracks:

Within a major, you may be on a particular “track” (a speciality within that major). Here are some examples from one well-known film school’s major in Department of Visual and Media Arts: Media Production Track; BA, BFA

Animation and Motion Media
Cinematography/Videography
Directing Narrative Fiction
Documentary Production
Experimental Narrative Fiction
Film
Interactive Media
Post-Production
Producing
Radio
Sound Design/Audio

What you might expect to study:

Film Analysis and Critique: Watching and critiquing films. This might include writing essays, dissecting a film frame by frame, analyzing technique or sound or other aspects of the production.
History of Film: How did we get where we are today. From the 1867 William Lincoln zoopraxiscope or wheel of life, the Louis Lumiere cinematographe to the digital pictures of today.

Communications: Film is a powerful communications tool. But it is only one of many. Studying how we communicate, what is our message, and how do we get that across in an effective way.
Cinematography: The Art and science of the moving picture.
Sound: The audio portion of a film, how to capture high quality sound at the time of filming, and how to enhance that sound during post-production.
**Film Production: ** 16mm, 35 mm and other film stock. It is very different working with film as opposed to digital media. Some programs are phasing out teaching “film” in favor of digital. If working with film is a priority for you, be sure the program you are considering still offers instruction in actual “film”
Digital Production: The making of movies with digital or computer-assisted media.
Screenwriting: The art of writing for film
Directing: How to direct actors and crew. Learning to work in this role involves having control over the translation of a script into a final product. It is your artistic vision that will be carried out by those who work with you.
Producing: The producer oversees the entire project: from inception to completion. Producers need to know budgeting, casting, permitting, hiring the key players such as the director and casting agent, and how to market the film once it is done.
Post-Production: Editing: Editing involves the actually cutting and splicing of film if that is being used, or in the case of digital, computer equipment to form the raw footage into a final product. Often scenes are shot out of sequence, and choices need to be made about what is used and what “remains on the cutting floor”.
Post Production: Sound: The postproduction work on sound is often very extensive. What is captured during a “take” may only be a small part of what you hear in a finished product. Foley artists add sounds to a track, such as footsteps, music is overlaid to create mood, voice-overs can create clearer dialog. What you hear in the theater is often very different from what was captured at the moment of filming.
Animation: The use of 2D or 3D models to create a motion picture. These can include hand drawn images, computer generated ones, claymation and a variety of techniques.
Documentary Filmmaking: Using actual real life events and creating a motion picture.
Narrative Filmmaking: Fiction, or the use of someone’s imaginative and creative ideas to make a film.
…and so much more.

This is just a start. I’m hoping others will add to these lists.

Thanks, this is helpful

Helpful info here. You seem very knowledgeable, so let me take a shot and ask you your thoughts or opinions about Film / Video / TV Production undergraduate programs within the Top 50 U.S. colleges and universities.

My D’s dream scenario is to pursue a BFA in Film and TV Production at USC SCA, applying in a few months. She is having difficulty locating any similar programs that actually teach production / filmmaking versus just film or media studies. For example, she is also very interested in colleges like Stanford, Yale, Princeton and Brown… but none seem to offer film production per se. Stanford and Yale have Film Studies programs. Brown only seems to offer Visual Arts, unless you design your own major. Princeton only seems to offer some form of certificate program within visual arts or arts.

We are aware of actual production programs at USC, UMiami, UCLA, UCSB and NYU. Any other quality production programs for undergrads at Top 50 schools come to mind? Thanks…

@WWWard -

There are many. It just takes some research. For example, here is one of the best in the country: http://film.fsu.edu/Programs/Undergraduate-Programs/BFA-in-Motion-Picture-Arts-Production
(but nearly impossible to get into)

Here’s a start: http://film.fsu.edu/Programs/Undergraduate-Programs/BFA-in-Motion-Picture-Arts-Production

There are many more resources out there.

My recommendation: go to a school that allows you to make LOTS of films and work collaboratively with others.

My “insight:” If you go to a school that gives you a lot of experience, your later career will depend more on you than the school.

Advice: The people you work with in film school will be your “network” out of school, so work with the best student in your school on project.(And not just your class, but upperclassmen as well)

Thanks @digmedia We appreciate it.

My D has done a lot of research over the past week. She plans to apply to USC, FSU, UMiami, Northwestern, Stanford, Yale, Brown, UVa, Rice & Vanderbilt. She has the academic stats we believe to gain admission to USC, FSU, UMiami, UVa & RIce. Stanford, Yale and Brown are reaches. Vanderbilt and Northwestern may be reaches as well. But then acceptance into SCA @ USC and the MP programs specifically at FSU and UMiami could be difficult to achieve as well.

She has been working since March on the various creative aspects of her SCA supplemental materials that will be required as part of the application process. Time will tell of course as to how they are received…

And she may even apply to a few more safeties like UTampa, UF and UCF, since we are FL residents.

@WWWard -

My son did a lot of school visits, but found his place in the Honors Tutorial College at Ohio University (Athens, Ohio). He has been VERY successful in his field. Not a name school, but he got to make films from the very first day in class and worked with a group of very taented and driven people, almost all of whom are now successful in the film industry. Here is me doing some bragging: http://talk.collegeconfidential.com/visual-arts-film-majors/1863254-sorry-i-cant-hold-it-in-any-longer-update-p1.html

If your D has the stats for the schools you mention AND THE DRIVE to work independently, the HTC might be something she could look into: https://www.ohio.edu/honors/ (btw, that’s my son in the middle of the first photo you see on the page - “Unlimited Destinations” - standing on the peak of Mt. Kilimanjaro.)

Here is an (unfortunately) edited version of their junior year film that won awards and was accepted in about 16 film festivals: https://www.youtube.com/watch?v=1bzhWopboTQ (edited down to 25 minutes from about 35 minutes).

Also, if your haven’t seen this yet, here are the post-graduate stages I see for a film school graduate: http://talk.collegeconfidential.com/discussion/comment/18274791#Comment_18274791

One of the things I liked about the school was the annual “Shootout” competition. His team took first or second in three of the four years he was there. He like the pressure of completing a film in a 48-hour period, given a line of dialog, a prop, and a genre. Here are a couple of his team’s films. The one called “Game Night” won an award at the Ivy Film Festival and actually got the attention of Roger Ebert, who called it “Altmanesque.”

https://www.youtube.com/watch?v=5x9DIE3expo (Senior Year)
https://www.youtube.com/watch?v=xSiD56OZXT0 (Junior year)
https://www.youtube.com/watch?v=4CpCE7Wv6Ws (Freshman year)

And finally, your daughter might be interested in seeing this, from their freshman year - a “Behind the Scenes” featurette on making their film (Wesley is my son): https://www.youtube.com/watch?v=KFGovMUGrzk (LANGUAGE WARNING)

@digmedia Thanks.

Wow! some amazing stuff worked on by your S2 & certainly proof that you do not need to be schooled in NYC or L.A. to develop talent or to make it. DEADPOOL was an amazing film IMO. That being said, did S2 move to California after graduation from OU? I have to assume that the gigs he landed were not primarily in the mid-west.

I like your “bootstrap gang” characterization as part of the post-graduation career strategy. And that is likely one of the key magnets drawing her interest to USC… the whole alumni networking and potential for opportunities driven by SCA grads (Trojan Mafia / USC Mafia). And of course, it is widely-considered the best film training ground as well. Plus, my D1 is currently there already… SDA major / SCA minor. So it is only natural that D2 would want to attend the same university. So far, she has developed zero interest in colleges in NYC or the NE. But as she has until late Dec to apply to most places, I will keep encouraging her to research further.

So far, her probable list stands at 13 schools to apply to - with only maybe 5 of them actually having solid production programs. While 13 may sound like a lot, it sort of depends on the quality of the colleges. My D1’s stats were only slightly lower than D2’s, & she was ultimately rejected by 12 of the 17 colleges that she applied to… & with USC being the only non-safety college to ultimately accept her. (Got in to USC and 4 FL colleges) That reality has spooked D2 quite a bit, so she may locate at least another 2 match or safety colleges to apply to. I will encourage her to look at OU.

Thanks again…

Not OU by itself, but the Honors Tutorial College within OU. I highly recommend the HTC, not so much OU without HTC.

He first worked from an apartment in Denver for about 6 months after graduation, his first gig coming from one of his college roommates/good friend. That convinced him he needed to be in LA and he got an internship with a big vfx house (again through another college roommate/good friend), so he moved there.

One advantage of USC is that you will meet driven, talented people who will become your “bootstrap gang.” But the biggest downside for USC at the time my son was applying to colleges was that they controlled all in terms of film production. If they decided you were not a director, you wouldn’t be directing. And, they had creative control. The films you made were not your films; they became USC’s films.

I don’t know if that was properly characterized (but that was his impression at that time).

You have to look at all policies. For example, the son of a good friend of mine is going to be transferring out of the film school he’s attending because the department will only check out equipment for class assignments, not for independent films. He needs a place he can make his own films.

btw, I was born and raised in Florida, taught high school there for two years, spent two year in grad school at USF before going back to grad school at Ga. Tech. I’ve lived in Tampa, Jacksonville, Orlando, and Miami (5th grade, haha).

My son has very often said that, at least for below-the-line film work, nobody in the industry cares where you went to school. You just need skills, talent, drive, and a network of friends/colleagues. Your demo reel is probably more important than the name on the diploma.

@digmedia Thanks again.

I figured that your son’s track record with film projects meant a move to L.A. at some point.

It seems that some of those policies may have changed over time at USC. Both SDA and SCA fund approved indie projects for students these days. Not sure about ownership issues though.

We live in New Tampa, very close to USF. I personally also lived in Tallahassee and Orlando previously… along with Idaho, California, Maryland, D.C. and Italy. But I consider FL home… and it is all my two girls have ever really known.

@WWWard look at Brown’s MCM concentration : https://www.brown.edu/academics/modern-culture-and-media/
https://www.brown.edu/academics/modern-culture-and-media/mcm-production-135-thayer-street

Brown students can also freely take film production class at the adjacent Rhode Island School of Design (RISD) - a short walk down the hill, http://www.risd.edu/academics/fav/ And RISD students can take classes at Brown

There is also a Dual Degree program offered by Brown and RISD http://risd.brown.edu/

The Ivy Film Festival is hosted by Brown each year. This year Jodi Foster and Robert De Niro met with students.

http://www.browndailyherald.com/2016/04/06/jodie-foster-reflects-on-career-path-in-film-industry/
https://news.brown.edu/articles/2016/04/deniro
http://www.browndailyherald.com/2016/04/05/ivy-film-festival-reaches-campuses-nationwide/

Thanks, @arwarw That is good to learn. Brown has always solidly been one of her top 4 choices, so it is comforting to realize that such an option is possible.

something to think about. •U.S. News & World Report ranked VCU School of the Arts 4th among public programs for photography and film. and of course its #2 ranked fine arts program in the country.

There is a book out (was digimedia an author?) called “lights, camera, application” that talks about some of the film production programs.

Not sure if these programs fall into the top 50, but there is also
Chapman/dodge
Loyola Marymount university
Boston university
Syracuse

Dd is planning to go into the biz and she notices that there seems to be a fair number of BU and Syracuse grads (and of course the local colleges - chapman and LMU) at the many places that she has interned. We live in Los Angeles.

With USC SCA, I think that Usc owns the actual film and revenue generation from the actual footage and the student owns the intellectual property.

@arwarw - Just saw these posts from the last few months. You mention the Ivy Film Festival. I’m wearing an IFF T-shirt right now!! I consider it the most prestigious of student festivals because of the Hollywood involvement. The year my son’s crew entered a film (2009), there were over 300 films submitted from 120 schools around the globe. They only accepted thirty films for showing. My son’s group won Best Drama Award and the overall Grand Jury Prize for their film “The Dying Western” (edited-down version here: https://www.youtube.com/watch?v=1bzhWopboTQ). They were actually invited by IFF to submit a film in 2010 which won the Best Comedy Award. But their day was made when Roger Ebert tweeted about their film, calling it “Altmanesque.” Film here: https://www.youtube.com/watch?v=5x9DIE3expo

@YoHoYoHo - Yes, I wrote that with maddenmd. It’s out of print now, but still available as an ebook on amazon. It might be a little out of date (listing of schools), but still should have lots of good info.

A little, but wanted to add to the OP’s listed major "titles. The BFA at Wright State is called Motion Picture Production. Admission is “open” to entering freshmen, but becomes highly selective after first semester. A BA in Motion Picture History, Theory and Criticism is also offered.